About MeI am a senior producer experienced in managing the full life cycle of live broadcasts, events and virtual/remote productions. I manage the sales process with speccing, developing production approach, attaching a budget and contract. During production I assemble a team, develop ROS and content, always while tracking the timeline. In production I am comfortable managing a set, calling a show, punching a show, handling talent, hand holding client and of course fire fighting.Lets put on a show!
Technical Producer, Stage ManagerThe Times Square New Years Eve Official Webcast streams live from the square. We had over 50 crew members in the square that night. I recruited and secured start paper work for each of them.timessquarenyc.org, @timessquarenyc
Project Manager, Account ExecutiveThis project started with a very open RFP asking for creative and logistical input into the technical set up of the digital studio at KCON NYC. Ultimately, what we delivered was very close to the pitch deck I submitted. This was KCONs first year in the Javits Center and in NYC. The studio hosted KPop performers, panel discussions, influencer demos, games and dance performances. We made fans a part of the show.
Field ProducerIt was amazing to be in the trenches on this show. We were given a list of deliverables including interviews with celebrities and candid romantic moments. We also captured reveler interviews in the square featuring sponsor branding. Its hard to overstate the effect of the weather on this production. We were pelted with rain for most of the night. The team managed to keep the energy up, pivot priorities and work together to get great content.
Project Manager, Account ExecutiveHelmut Lang Runway Show, Fashion Week 2019. I worked one on one with the creative agency behind the runway show to ensure the brand was happy with the final broadcast. The end result was a fabulous two-camera runway show with a distinctive look streamed to Instagram and the Helmut Lang Website.
Producer, Account Manager CNBC Africa - Crypto Trader was looking for a new studio space for ongoing production with a sleek professional look and flexible scheduling. I worked with the host and producer to negotiate their contract, design the studio set, and determine shot list. I produced and directed their first show in our studio.
Producer, DirectorI directed as many as five daily live shows for Class Pass Live. I oversaw the technical control room team and ensured every show looked, sounded and felt great.Subscription Service
ProducerThis live webcast was a collection of outstanding women in advertising discussing their experiences in the workplace. The subject matter was very sensitive and required a producer with just the right touch.@timesupad Facebook Page
Tech ManagerI tracked our gear across two stages and seven holes. We did live hits throughout the days leading up to the Open and had a second show for the main event.USGA.org and @usga facebook.
PTZ Operator, Video Engineer Songkick Live is a way for the music label to promote new artists. I would assemble the engineering racks and create a custom “vibey” lighting look. During the shows I operate three Panasonic AW-HE 130 robotic cameras. We also had two ops running Sony FS5s. Color matching for these shows requires a lot of patience and a good eye.
Producer, Director, Technical DirectorPacker Transplants. For this particular episode one of our hosts joined us remote from Lambeau Field. Generally this is a four camera show with heavy GFX and B-Roll.Cheeseheadtv.com, @cheeseheadtv, Cheesehead TV
ProducerPackers Daily, A daily live show where influencer Aaron Nagler takes questions from fellow Packer fans.@cheeseheadtv
Broadcast Desk Associate - Production Manager In my two years with this company I coordinated hundreds of high profile web broadcasts for fortune 500 companies. I would create bids, secure crew, and send call sheets. I would work on over 30 shows every month anywhere in the country.Proprietary Platform
Monitors EngineerMy first step into production was audio mixing. I’m still doing it and it still fills me up. Currently I mix monitors for Hillsong Church on a Midas Pro 6. This might sound lame but we max out the Hammerstein Ballroom at the Manhattan center several times a Sunday. Also the show rocks. Musicians are one of my favorite talent groups to work with. They present special challenges but when served well, deliver.